© Mid Wales Opera
© Mid Wales Opera
© Sebastian Valentine
© Michele Vino
© Simone Donati
One-time zoologist and National Otter Surveyor of England, Philip Smith hung up his waders to study singing, first at the Birmingham Conservatoire and then with Barbara Robotham at the Royal Northern College of Music, graduating with distinction in 2008. He is a former Britten Pears Young Artist, a Samling Artist and Crear Scholar.
In the current season he performs Rambaldo La rondine (Opera North, house debut); and Germont Pere La traviata (Diva Opera).
Among his recent highlights are Rigoletto (Diva Opera); Michele Il tabarro, Marcello La bohème, King El Gato con Botas (Mid Wales Opera); Rambaldo La rondine West Green House Opera, If Opera); Conte Gil Il segreto di Susanna (If Opera); and Nottingham’s Confidant Roberto Devereux (Welsh National Opera).
His operatic roles include Endymion/Charon Orpheus (The Royal Opera/The Globe); Junius The Rape of Lucretia (Maggio Musicale Fiorentino, Reggio Emilia, Ravenna); Sid Albert Herring (Maggio Musicale Fiorentino, Royal Danish Opera); Papageno Die Zauberflöte (Teatro Petruzzelli di Bari); Gratiano The Merchant of Venice (Polish National Opera); Der Sprecher Die Zauberflöte (Opera di Firenze); Sharpless Madame Butterfly (Iford Arts, Diva Opera); Giorgio Passion, Witness 6 Icarus, Harlekin Ariadne auf Naxos (Montepulciano Festival). Other roles include Don Giovanni, Forester Cunning Little Vixen, Eugene Onegin, Leone Tamerlano, Figaro Le nozze di Figaro, Escamillo and Moralès Carmen, Ramiro L’heure espagnole, Macheath The Threepenny Opera. Roles covered include Figaro Il barbiere di Siviglia and Chou En-lai Nixon in China (Scottish Opera); the title role in Don Giovanni and Valentin Faust (Opera North); and Arthur Jones Billy Budd, Herman Ortel Die Meistersinger von Nürnberg and Le Dancaïre Carmen (Glyndebourne).
In concert Philip has performed with orchestras including the Hallé, Royal Liverpool Philharmonic’s Ensemble 10/10, Manchester Camerata and the Northern Sinfonia with conductors including Sir Mark Elder, Clark Rundell, David Hill and Nicholas Kraemer. His repertoire includes Rossini Petite messe solennelle, Haydn The Creation, Fauré Requiem, Bach B Minor Mass, Walton Belshazzar’s Feast, Vaughan Williams Five Mystical Songs and Tippett A Child of Our Time.
Philip appears regularly in recital with pianists including Roger Vignoles, Malcolm Martineau and Joseph Middleton. He has performed in Santiago de Compostela, Dubai and he is a regular guest at the Uzerche International Festival (France). He has appeared at a number of major UK festivals including the Aldeburgh Festival, Leeds Lieder, Oxford Lieder, the Cheltenham Festival and at Wigmore Hall.
Broadcasts on BBC Radio 3 include Aeneas Dido & Aeneas, a song recital from the Aldeburgh Festival with Malcolm Martineau and a live broadcast on In Tune. His recordings include Britten Songs Volume 1 (Onyx Classics) and Vaughan Williams Fair Child of Beauty (Albion Records).
Philip regularly takes part in education and community projects, he has worked with the education departments at Glyndebourne Festival Opera, Opera North, Leeds Lieder+, Wigmore Hall, La Folia and with Theatre Royal Norwich on their Norfolk school projects.
Rambaldo / La rondine / Opera North / 2023
“Philip Smith made the most of the acquiescent Rambaldo…”
“Philip Smith made a fine Rambaldo…”
“…baritone Philip Smith is suitably patrician…”
Michele / Il tabarro / Mid Wales Opera / 2021
“Philip Smith is every inch the morose cuckold Michele, stooped shoulders and sable baritone bringing a palpable sense of resignation looming over the stage with each appearance.”
“Smith, in Michele’s pain and jealous torment, sings resignedly with a warm and evenly-pitched baritone, as though nothing can dislodge his fate.”
(Wales Arts Review)
Figaro / The Barber of Seville / Opera Project / 2019
“Philip Smith as the scheming facilitator of romantic missives is sharper than his barber’s razor in the role, fleet-footed and expressive, full of sly, mischievous wit with a pleasing, rounded baritone.”
(British Theatre Guide)
“Smith is totally at home in his role as match-maker and conspirator, wittily drawing the audience in to his schemes, littering them with his business cards, sometimes entrusting them with his guitar, always with a winsome smile on his face. His mischievous deceptions and distractions easily win us over in his quest to see the young lovers united and gain him financial reward. Smith’s assured baritone warmed the night.”